Artist Makan (Max) Emadi
Sunday, January 6, 2008
Saturday, January 5, 2008
Wednesday, July 4, 2007
Islamic Marilyn Monroe
After Marilyn Monroe The photograph of Marilyn Monroe with skirt blown up from the movie "The Seven Year Itch" is one of the most well-known images of the movie goddess. In a painting after this image, Max Emadi captures an Islamic woman in traditional dress and veil in front of the mosque with her dress blown up exposing her legs.
God is Great
36 x 48 inches oil on canvas
Max Emadi 2006
(Sold)
Labels: islamic erotica, islamic women in art, marilyn monroe, veiled woman
Mirror Mirror
Veiled Woman's Eye MakeupMax Emadi makes reference to the story of "Snow White" in this painting of a veiled Islamic woman applying her mascara in a work title "Mirror, Mirror"
Mirror, Mirror
Oil on canvas
20x24 inches
Max Emadi 2006
$900
Labels: calendar girls, islamic erotica, islamic women in art, veiled woman
Tuesday, May 22, 2007
About Max Emadi
Iranian-born California Artist Max Emadi
"Max" Makan Emadi emigrated with his family to Southern California from Iran in 1979 at the age of fourteen.While attending high school he became interested in art courses and took ceramics for four years. Following high school, he studied sculpting with Betty Davenport Ford.
Max's career took him away from art for many years. He received training and worked as a Certified Chemical Dependency Counselor and found his second passion in the helping field. He pursued his education by completing a bachelor's degree in social work and a master's degree in the same field.
After becoming established in his career as a psychotherapist he decided to revisit the artistic interests of his teenage-years. In the last few years, Max has participated in a number of group shows and been featured in several solo exhibitions. His paintings extend from abstract works to political art, and he also sculpts small ceramic busts.
Max Emadi has painted a wide range of works in oil including abstract paintings, portraits and self-portraits.
He has also painted extensive bodies of work representing political figures (Terrorists and Freedom-Fighters series) and cultural celebrities (Hero Worship series).
His most controversial series comments on "hijab", the Islamic dress code, with two series to date: Calendar Girls and Femme Fatale
Since 2002, Emadi has also produced small ceramic sculptures (Beautiful Monsters series)
Labels: abstract painting, ceramic sculpture, iranian-born american artist, islamic women in art, makan emadi, Max Emadi, political art, self-portrait, veiled woman


